Edgar Degas, 1879-81, Little Dancer aged fourteen, wax and mixed techniques, 98x35x35, NGA Washington (M21;iR2;R2,p336+361+311;R90II,p180+190+147/8;R90I,p344+283;R26,p160) =6IE-1881-12, Petite danseuse de quatorze ans (statuette en cire). Not exhibited as 5IE-1880-34.
What pictures were shown at the 6th ‘impressionist’ exposition?
In 1881 the ‘6me exposition de peinture‘ was held in Paris. This exposition is now mostly called the 6th ‘impressionist’ exposition. There were 14 partakers. The catalogue rendered the numbers 1-170, but in reality there were about 186 art-works exhibited. Several techniques/media were used. On this page you will find an accounted impression of these exhibited art-works, I render more than 160 pictures. See the accounts of the partakers and the clarification at the bottom of this page. If you double click on the first picture and then click on full screen, you can create a slideshow. On a smartphone or laptop you can also zoom in. Enjoy!
Adolphe-Félix Cals, 6IE-1881-hc1, unknown title. Very uncertain: 1874, Le repos du paysan, Honfleur, 27×34, Axx (iR10;R2,p356;R90I,p354). Doria collection.
Adolphe-Félix Cals, 6IE-1881-hc2, unknown title. Very uncertain: 1876, Un dimanche à Saint-Siméon, 55×84, MB Honfleur (R51,p91;R45,p68;R2,p356;R90I,p354). Compare: 4IE-1879-42, Le dimanche à Saint-Siméon, Honfleur (dessin).
Adolphe-Félix Cals, 6IE-1881-hc3, unknown title. Very uncertain: 1880, Küste bei Honfleur (seaside at Honfleur), 14×24, A2014/05/23 (iR13;iR93;iR10;R2,p356;R90I,p354)
Mary Cassatt, 6IE-1881-1, La lecture. Now: 1880, CR77, Mrs Cassatt Reading to Her Grandchildren, 56×100, private (iR2;iR59;iR92;R44,p71;R2,p349;R90II,p179+189;R2,p353;R187,no77)
Mary Cassatt, 6IE-1881-2, Le jardin, Now: 1880, CR98, Lydia crocheting in the garden at Marly, 66×94, Metropolitan (iR92;iR2;iR59; R2,p358;R90II,p179+189;R189,no98;R3,p596)
Mary Cassatt, 6IE-1881-3, L’Automne. Now: 1880, CR96, Portrait of Mlle C. Lydia Cassatt (Autumn), 93×65, MPP Paris (iR92;iR2;iR59;R90II,p179+189;R2,p353;R189,no96)
Mary Cassatt: 6IE-1881-4, Le thé = 1879-81ca, CR65, The Cup of Tea, 92×65, Metropolitan (iR2;iR59;iR92;R2,p359;R90II,p179+189;R187,no65;R44,p66;M23) =? 15LE-1908-17, La Tasse de thé.
Mary Cassatt, 6IE-1881-5, Tête de jeune fille, pastel. Uncertain: 1880, CR106, Portrait of a Young Girl, pastel, 60×50, AI Chicago (iR92;R90II,p179+189;R2,p353;R187,no106)
Mary Cassatt, 6IE-1881-6, Tête de jeune fille, pastel. Very uncertain: 1880-86ca, Young Girl with Brown Hair, pastel, 52×49, private (iR92;iR2;R2,p353)
Mary Cassatt, 6IE-1881-7, Tête d’enfant, pastel. Very uncertain: 1880-81, CR53, Madame Bérard’s Baby in a Striped Armchair, pastel, 63×67, Philadelphia MA (iR92;R187,p45;R2,p353)
Mary Cassatt, 6IE-1881-8, Mère et enfant, pastel. Now: 1880, CR88, Mother and Child (a goodnight hug), pastel, 42×61, A2018/05/14 (iR2;iR59;iR13;iR92;R2,p348;R187,no88;R90II,p189). Compare: 8IE-1886-13.
Mary Cassatt, 6IE-1881-9, Portrait d’enfant, pastel. Very uncertain: 1880ca, CR58, Elsie Cassatt Holding a Big Dog, pastel, 64×50, private (iR92;iR2;R187,no58;R2,p353)
Mary Cassatt, 6IE-1881-11, Tête d’enfant, pastel. Very uncertain: 1881, CR132, Child on a Blue Cushion, pastel, 44×43, ML Baden (iR92;iR2;R187,p77;R2,p353)
Edgar Degas, 1879-81, Little Dancer aged fourteen, wax and mixed techniques, 98x35x35, NGA Washington (M21;iR2;R2,p336+361+311;R90II,p180+190+147/8;R90I,p344+283;R26,p160) =6IE-1881-12, Petite danseuse de quatorze ans (statuette en cire). Not exhibited as 5IE-1880-34.
Edgar Degas, 1875-80, CR389, Portrait of a man, 55×45, MFA Boston (iR2;R26,no445;R2,p354;R90II,p180;M22) =?? 6IE-1881-14, Portrait
Edgar Degas, 1876-80ca, CR463, Woman with an Umbrella, 61×50, NGC Ottawa (iR8;iR2;iR10;iR53;R26,no461;R2,p354;R90II,p180;M113) =?? 6IE-1881-15, Portrait
Edgar Degas, 1879ca, CR528, Red haired young woman, 52×42, Reinhart Winterthur (iR377;R26,no566;R2,p354;R90II,p180;M87) =?? 6IE-1881-16, Portrait
Edgar Degas, 6IE-1881-17, Physionomie de criminel =!? 1881ca, CR638, Physionomie de criminal, pastel, 64×76, private (R90II,p190+180;iR10;R26,no582;R2,p354+342)
Edgar Degas, 6IE-1881-18, Physionomie de criminel =!? 1881, CR639, Criminal Physiognomies, pastel, 64×76, A2015/06/24 (iR2;iR14;iR11;iR59;R2,p354+342;R90II,p180+190)
Edgar Degas: 1869ca, CR216, La repasseuse (Woman Ironing), 93×73, NP Munich (iR10;iR94;iR2;aR23;R114,no216;R26,no364;M53) =?? 6IE-1881-19, Blanchisseuse
Edgar Degas: 1880-85ca, CR715, In the Wings, pastel, 67×38, private (iR2;R26,no630;R90II,p180;R114,no715) Compare: 6IE-1881-19+hc1, Vue de coulisses
Edgar Degas: 1880ca, CR532, A frieze, three woman, dr+pastel+tempera, 50×65, private (iR2;R2,p268+341+354;R90II,p110+180+190;R26,no565;R114,no532) =!? 4IE-1879-67, Essai de décoration (détrempe) (probably not exhibited) = 6IE-1881-19+hc2, Portraits en frise pour décorer un appartement
Edgar Degas: 6IE-1881-19+hc3-1, (Dessins et esquisses: Chanteuses en scène) =?? 1877ca, Chanteuse café-concert, dr, xx, BNF Paris (aR22=iR40;R90II,p180;R2,p354;R114,no380;R26,no414;R90I,p348+362) Compare CR380, “stretching out wiggling paws”
Edgar Degas: 6IE-1881-19+hc3-2, (Dessins et esquisses: Chanteuses en scène) =?? 1877ca, Sketches Mll. Bécat (Chanteuse café-concert), dr, xx, BNF Paris (aR22=iR40;R90II,p180;R2,p354;R114,no372+458;R26,no385+452;R90I,p348+362) Compare: CR372 + 458
Edgar Degas: 6IE-1881-19+hc3-3, (Dessins et esquisses: Chanteuses en scène) =?? 1877ca, Five rapid sketches (of a singer at a café-concert), dr, xx, JPGM Los Angeles (iR8;aR22=iR40;R90II,p180;R2,p354;R114,no405+458;R26,no413+452;R90I,p348+362) Compare: CR405 + 458.
Edgar Degas: 6IE-1881-19+hc4-1: Esquisses noire: Femme nue =? 1879ca, Room in a brothel, monotype + ink, 21×16, Stanford UMA Palo Alto (iR10;R90I,p348;R90II,p180;R2,p363+354;R305,no22=87)
Edgar Degas, 1877-78ca, Mlle Bécat, monotype, 16×12, NGA Washington (M21;R90I,p340+362) =?? 6IE-1881-19+hc4-2, Esquisses noire
Edgar Degas, 1877-78ca, Café Singer, monotype, 12×16, xx (iR91;R90I,p340+362;R305,no8) =?? 6IE-1881-19+hc4-3, Esquisses noire
Jean-Louis Forain, 6IE-1881-20, Au théâtre (peinture). Option 2: 1880ca, La loge, 56×50, Carnavalet Paris (iR2;aR5=iR302;R2,p354;R90II,p190;M8)
Jean-Louis Forain, 6IE-1881-21, Coin de bal masqué à l’Opéra. Probably: 1880ca, Un bal a l’Opera, 31×39, private (iR6;R50,p99;r2,p354;R90II,p181)
Jean-Louis Forain: 6IE-1881-22, Loge d’actrice, appartient à M. E. Blum = 1880, Visit à la loge (d’actrice), gouache, 28×23, A2011/12/01 (iR11;R2,p354+364;R90II,p181+190)
Jean-Louis Forain: 6IE-1881-23, Couloir de théâtre, appartient à M. A. Meyer =18xx, Couloir de théâtre, wc+g, 22×36, private (R90II,p191+181+292;R2,p354)
Jean-Louis Forain, 6IE-1881-24, Marine (aquarelle). Maybe? 18xx, Dans la tourmente (in the turmoil), wc, 23×31, A2011/03/31 (iR13;R2,p354)
Jean-Louis Forain, 6IE-1881-25, Portrait de Mlle Madeleine C…, pastel. Very uncertain: 1xxx, portrait of a woman (with a red plume hat), pastel, 55×39, A2017/05/11 (iR11;R2,p354)
Jean-Louis Forain, 6IE-1881-26, dessin. Very uncertain: 18xx, Femme debout, de trois quarts à gauche, portant un chapeau plat, dr, 40×26, DAG Louvre (M5a,RF24304,R;R2,p354)
Jean-Louis Forain, 6IE-1881-27, dessin. Very uncertain: 18xx, Homme en habit noir conversant avec une femme en robe de soirée, dr, 28×22, DAG Louvre (M5a,RF23411,R;R2,p354)
Jean-Louis Forain, 6IE-1881-28, dessin. Very uncertain: 18xx, La visite, pencil, 35×28, A2008/11/19 (iR11;iR14;aR17=iR40)
Jean-Louis Forain, 6IE-1881-29, dessin. Very uncertain: 18xx, visiting the artist in his studio, ink, 37×32, A2009/03/10 (iR11;iR15;R2,p354)
Paul Gauguin: 1881, CR69, SDbl, Vaugirard Church by Night, 50×35, GM Groningen (iR2;R181,no69;R128,no30;R2,p354;R90II,p181+191;M78) =!? 6IE-1881-30, Une nuit à Vaugirard =? 7IE-1882-19, Église de Vaugirard
Paul Gauguin: 6IE-1881-31, Le terrain de ma propriétaire =!? 1880, CR58, SDbl, Houses, Vaugirard, 81×115, IM Jerusalem (iR2;iR59;R1,p457;R181,no58;R128,no44;R2,p354;R90II,p181+191;M130).
Paul Gauguin: 6IE-1881-33, Fleurs et tapis; appartient à M. de Bellio = 1880, CR61, SDbl, Flowers and Carpet (Pansies), 24×36, private (iR2;R181I,no61;R128,no48;R2,p354;R90II,p181+191).
Paul Gauguin: 6IE-1881-34, Sur une chaise; appartient à M. Degas = 1880, CR63, SDcr, (Mandolin) on a chair, 47×31, A2018/11/13 (iR11;iR2;R181,no63;R128,no46;R2,p354;R90II,p181+191).
Paul Gauguin: 6IE-1881-35, Pour faire un bouquet =! 1880, CR62, SDbr, To make a bouquet, 55×65, A1999/06/29 (iR2;iR15;iR11;R37,p43;R181,no62;R128,no49;R2,p354;R90II,p181+191).
Paul Gauguin: 6IE-1881-36, Etude de nu = 1880, CR64, SDtl, Study of a Nude, Suzanne Sewing, 115×80, NCG Copenhagen (iR2;iR59;R3,p206;R1,p453;R31,no9;R49,p11;R128,no39;R2,p354+343;R90II,p181+192;M90).
Paul Gauguin: 6IE-1881-37, Le petit Mousse. Compare: 1888ca, CR304, Portrait of a Little Boy, 23×23, MFB Toulouse (iR2;R181,no304+67;R128,no39;R2,p354;R90I,p181;M211)
Paul Gauguin: 6IE-1881-38, La chanteuse médaillon (Sculpture) =1880, Gray 3, SDbl, The singer (Portrait of Valérie Roumi), medaillion / sculpture of mahogany, 54x51x13, NCG Copenhagen (iR10;iR59;R2,p354+343;R90II,p181+192;M90).
Paul Gauguin: 6IE-1881-39, Dame en promenade; figurine en bois =1880ca, La petite parisienne (Woman strolling), 1881ca, Gray 4, Woman on a stroll (Le petite Parisienne), wood stained red, h25cm, AI Chicago (M20;iR10;iR140;R37,p44;R2,p354+343;R90II,p182+192)
Armand Guillaumin, 6IE-1881-40, Paysage à Châtillon =?? 1878ca, Landscape, Île-De-France, xx, xx (iR10;iR345;aR5;R2,p354)
Armand Guillaumin, 6IE-1881-41, Jardin à Châtillon =? 1880ca, The Nasturtium Path, 79×64, NCG Copenhagen (iR2;R2,p354;M90)
Armand Guillaumin, 6IE-1881-42, Quai des Célestins Compare: 1886, CR150, SDbr, Le pont de Sully, Paris, 73×92, A2011/02/09 (iR11;iR14;R2,p354;R124,no150) = former Durand-Ruel collection.
Armand Guillaumin: 6IE-1881-43, Quai Sully, appartient à M. Gauguin = 1878ca, CR54, Pont Marie, Quai Sully, 59×71, PP Geneva (iR2;iR59;R90II,p182+192;R2,p354;R124,no54;M144) =former Gauguin collection
Armand Guillaumin, 1877ca, CR53, le Quai d’Austerlitz, 40×62, Indianapolis MA (iR6;iR8;iR22;R2,p311;R90II,p150;R124,no53;M165) =!? 5IE-1880-64, Port d’Austerlitz =!? 6IE-1881-44, Quai d’Austerlitz = former Durand-Ruel collection =? Viau sale DR1907/03/19-37, Le Quai d’Austerlitz, Mars.
Armand Guillaumin, 6IE-1881-45, Quai de la Râpée =! 1881ca, CR-, Quai de la Rapée, 50×79, private Paris (iR2;R2,p354+365;R90II,p182+192;R39,p74) =former Signac collection.
Armand Guillaumin, 6IE-1881-46, Quai Henri IV =? 1882ca, CR-, Quai Henri IV, Paris, 54×65, Og Copenhagen (iR10;iRx;R179,G20;R2,p354;M93)
Armand Guillaumin: 6IE-1881-47, Route de Vanves-à-Clamart =? 1872-73ca, Rue de Clamart à Vanves, 50×62, A2005/02/09 (iR2;iR11;R2,p354) =!? Viau sale, DR1907/03/19-38, La Rue de Clamart à Vannes, Juin 1873; 4 heures de l’après-midi.
Armand Guillaumin, 6IE-1881-50, Quai Saint-Bernard, aquarelle =?? 18xx, Barques de pêche amarrées, wc, 16×25, Louvre (iR23;R2,p354) = former Gachet collection
Armand Guillaumin (1841-1927): 6IE-1881-51, Portrait de M. J. A. , pastel. Compare: 1886, SDbr, Portrait of a man, (recto), pastel, 44×29, MPP Paris (iR195;M4;R2,p354)
Armand Guillaumin, 6IE-1881-52, Portrait de M. Martinez, pastel =1880ca, Portrait de M Martinez, pastel, 45×35, A2007/05/23 (iR11;R90II,p182;R2,p354) =5IE-1880-82.
Armand Guillaumin, 6IE-1881-54, Portrait de Mlle M.L., pastel =?? 1878, SDbr, Tête de femme de profil, pastel, 47×32, MuMa Le Havre (iR23;R2,p354;M15)
Berthe Morisot, 6IE-1881-56, Etude en plein air =1880-81ca, CR104, woman with umbrella (on a garden bench), 92×73, A1995/11/08 (iR59;iR13;iR6;;R2,p354;R90II,p182)
Berthe Morisot, 6IE-1881-57, Nourrice et bébé =1881, CR102, La Nourice (The nursemaid; Bougival), 50×74, xx (iR6;R100,p30;R90II,p182)
Berthe Morisot: 6IE-1881-58, Jeune femme en rose =?? 1879, CR81cp, 1880, Portrait of a lady, 61×50, GAM Milan (iR8;R2,p354;compare R100,no81;M107)
Berthe Morisot, 6IE-1881-59, Portrait d’enfant =1880ca, CR453, Enfant de profil (Julie Manet), pastel, 40×30, xx (iR6;R90II,p182;R100,p53)
Berthe Morisot, 6IE-1881-60, Esquisse au pastel. Maybe(??): 1881, CR459, Au bord de la Seine, pastel, 30×39, xx (iR6;R100,p53)
Berthe Morisot, 6IE-1881-61, Esquisse au pastel. Maybe(??): 1881, CR456, Nanny and child in the field (recto), pastel, 35×50, xx (iR6;iR14;R100,p53)
Berthe Morisot, 6IE-1881-62, Paysage. Maybe(???): 1881, CR454, Au bord de la Seine à Épinay, pastel, 29×44, xx (iR6;R100,p53)
Berthe Morisot, 6IE-1881-62hc, xx. Maybe(??): 1879, CR446, Jeune femme accoudé, pastel, 51×35, xx (iR6;R100,p52)
Camille Pissarro, 6IE-1881-63, La sente du Choux en mars. Now: 1878, CCP542, The Path to Le Chou, Pontoise (in March), 57×92, MdCh Douai, (iR2;iR59;R2,p347;R116,CCP542;R2,p354/5;R90II,p183+193;M176)
Camille Pissarro, 6IE-1881-64, Le clos du choux, le matin; appartient à M. J. P. Compare: CCP554, 1878, Kitchen garden and orchard, Pontoise, 22×23, HM Huntington (iR10;iR94;R116,CCP554;R2,p354)
Camille Pissarro, 6IE-1881-65, La côte des Grouettes, automne; appartient à M. P. Compare: CCP569, 1878ca, Peasants passing each other on a road, Pontoise (Côte des Grouettes), 74×60, Metropolitan (iR10;iR7;R116,CCP569;R126,CR465;M23)
Camille Pissarro, 6IE-1881-66, Une cour à l’Hermitage. Option 1 of 2: 1880, CCP634, La cour de la maison Rondest, Pontoise, 35×27, A2010/11/04 (iR10;iR15;iR11;R116,CCP634;R2,p354/5)
Camille Pissarro: 6IE-1881-67, Paysage d’été avec figures; appartient à M. P. Compare: CCP638, 1880, Peasant woman in a field, Pontoise, 47×65, private (iR10;iR6;R116,CCP638) 1891/04/22 Vignon sold this work to Durand-Ruel
Camille Pissarro: 6IE-1881-68, Chaumières au Val Hermé =!? CCP632, 1880, Rue des roches au Valhermeil à Auvers-sur-Oise, chaumières et vache, 60×73, A2007/11/07 (iR14;iR11;R116,no632;R2,p355) Bought by Durand-Ruel 1881/01/14; =DR1883-24; =Rheims-1896-594; =St. Petersbourgh-1899-276; =DR1904-60; DR1908-12
Camille Pissarro, 6IE-1881-69, Chaumières au Val Hermé. Perhaps: 1880, CCP631, Cottages at le Valhermeil, Auvers-sur-Oise, 59×73, private (iR59;R116CCP631;R2,p355;R90II,p183+193)
Camille Pissarro, 6IE-1881-70, La maison du passeur au Choux. Maybe??: CCP570, 1878ca, La Côte Saint-Nicolas, Auvers-sur-Oiso (landscape at Le Chou), 65×54, A1998/06/22 (iR11;iR15;R116,CCP570;R126,CR458)
Camille Pissarro, 6IE-1881-71, Soleil couchant, la plaine du Choux =CCP621, 1880, Soleil couchant au Valhermeil, Auvers-sur-Oise, 54×65, A2011/02/08 (iR14;iR10;iR94;iR11;R116,CCP621;R2,p355;R90II,p183;R90I,p350) = EU1900-520
Camille Pissarro, 6IE-1881-72, Paysage pris sur le vieux chemin d’Ennery, près Pontoise. Probably: 1880, CCP595, View from the road to Ennery, 54×65, Kanagawa PMA (iR10;iR94;R116,CCP595;R2,p355)
Camille Pissarro, 6IE-1881-73, Temps gris, automne au Val Hermé. Probably: 1880, CCP639, La Valhermeil, Auvers-sur-Oise, 54×65, private (iR2;R2,p355+367;R116,CCP639;R90II,p183+193). Also an option for no.68 or 69. Other expos: =DR1883-31 =DR1904-61 =DR1910-43 =17LE-1910-155
Camille Pissarro, 6IE-1881-74, La Moisson, gouache. Compare: 1876, étude pour La moisson à Montfoucault, pastel, 21×26, A2007/02/06 (iR11;iR2;R2,p355;R116,CCP465)
Camille Pissarro, 6IE-1881-75, Village de la Mayenne, gouache; appartient à Mlle Cassatt. Compare: 1881, Paysage à Melleray, femme donnant à boire à des chevaux, gouache, 35×46, A2015/11/05 (iR11;R2,p355;R90II,p287)
Camille Pissarro, 6IE-1881-76, La Récolte des pommes de terre, gouache. Maybe: 1886, CR1405, The Potato Harvest, gouache, 29×41, A2018/05/10 (iR11;iR15;iR6;R126,CR1405;R2,p355). Compare: CCP360, 1874.
Camille Pissarro, 6IE-1881-77, La Récolte des pommes de terre, gouache; appartient à Mlle Cassatt =1880, CR1338, The Potato Harvest, gouache, 27×49, xx (R90II,p193+183+287;R126,CR1338)
Camille Pissarro, 6IE-1881-78, Fendeur du bois, gouache =1880, CR1336, Le Père Melon fendant du bois, gouache, 32×20, private (iR59;R90II,p194+183;R2,p355;R126,CR1336)
Camille Pissarro, 6IE-1881-79, Paysanne bêchant, gouache =18xx, CR1374, Paysanne bêchant (Peasant woman digging), gouache on paper, 20×32, xx (R90II,p194+183;R2,p355;R126,CR1374); GP1905/05/08-44, sale Paul Bérard
Camille Pissarro, 6IE-1881-80, La gardeuse de chèvres, gouache. Compare: CCP613, 1879, Peasant woman and goat in front of a house, Pontoise, oil, 58×70, Muskegon MA (iR10;iR94;R116,CCP613;R2,p355). Compare: 7IE-1882-120+135. Once owned by Mary Cassatt.
Camille Pissarro: 6IE-1881-81, Une rue à Lower Norwood, environs de Londres, gouache; appartient à M. Rouart =1871ca, CR1312, All Saints church, gouache, 18×23, A2014/11/06 (iR11;iR2;R90II,p183+194;R126,CR1312;R2,p355;R116II,p160) Former Rouart collection.
Camille Pissarro, 6IE-1881-82, Paysage, gouache; appartient à M. Gauguin = 1880ca, A Peasant Walking along a Wooded Path, gouache, xx, NCG Copenhagen (iR10;iR6;iR48;R90II,p184+194;R2,p355;M90)
Camille Pissarro: 6IE-1881-83, Enfants dessinant, gouache =1880, CR1334, Children at a table, gouache, 30×42, NGA Washington (iR10;iR174;iR168;M21;R90II,p184+194;R2,p355;R126,CR1334)
Camille Pissarro, 6IE-1881-84, Paysan émondant, gouache = 18xx, CR1340, Paysan émondant des branches, gouache, 46×38, xx (R90II,p194+184;R2,p355;R126,CR1340)
Camille Pissarro, 6IE-1881-85, Le retour à la ferme, gouache. Compare: 1881, Le retour des champs, etch, 25×31, xx (iR10;R90II,p184+195;R2,p355;R126,CR1350)
Camille Pissarro, 6IE-1881-86, La foire de la Saint-Martin à Pontoise, gouache. Now: 1881, La marchande de marrons, foire de la Saint-Martin, gouache, 39×47, A2001/05/09 (iR11;iR2;iR59;R2,p355;R90II,p184+195)
Camille Pissarro, 6IE-1881-87, Paysages du Val Hermé causant dans la rue, gouache =1881, CR1344, Rue de village avec trois paysannes causant à gauche (Valhermeil), gouache, 28×46, Axx (iR10;iR13;R90II,p184+195;R2,p355;R126,CR1344)
Jean-François Raffaëlli, 6IE-1881-91, Les déclassés; appartient à M. Ernest Blum =1881, Absinthe drinkers, 110×110, A2010/05/04 (iR2;iR11;iR59;R2,p368;R90II,p195;R3,p211) =se1884-81 (aR14,p13)
Jean-François Raffaëlli, 6IE-1881-92, Cantonnier, Paris 4 k. 1. Compare: 1904, D57, Le cantonnier sur la Borne, colour etch, 28×20, A2015/09/24 (iR11;R138XVI,no57;R90II,p196;aR7)
Jean-François Raffaëlli, 6IE-1881-93, Homme regardant dans une tranchée. Maybe?: 1880ca, Le cheminot dans la neige (the begger), 53×38, A2015/12/16 (iR14;iR11;iR204;iR10;R2,p355) Compare 5IE-1880-154.
Jean-François Raffaëlli, 6IE-1881-94, Deux chiens se rencontrant sur la route. Maybe?: 18xx, Les Chiens, xx, A2008/06/20 (iR17;R2,p355;R90II,p185)
Jean-François Raffaëlli: 6IE-1881-96, Marchand d’ails et d’échalotes =? 1881ca, A stroller and his dog, on panel, 54×37, A2016/12/04 (iR10;iR13;R2,p355;R90II,p185) Compare: 5IE-1880-147.
Jean-François Raffaëlli, 6IE-1881-97, Sur la place des écoles, à Asnières. Maybe?: 1879ca, Asnier Newspaper, 32×41, A2010/11/04 (iR2;iR11;R2,p355)
Jean-François Raffaëlli, 6IE-1881-98, Cheval. Maybe?: 18xx, Woman and children in a landscape, on board, 53×80, A2001/03/14 (iR13;R2,p355;R90II,p185). Compare no. 95.
Jean-François Raffaëlli, 6IE-1881-99, Portrait de ma Petite-fille. Compare: 1882/03/18, Portrait de Germaine, fille de l’artiste, 48×48, 2020/03/13 (iR85;iR10;aR10;R2,p355)
Jean-François Raffaëlli, 6IE-1881-100, Cassant une croûte. Maybe: 1879, (The vagebond) On the road, 56×38, GM Beverly Hills (iR155;iR10;R90II,p172;R2,p355) Comepare 5IE-1880-161.
Jean-François Raffaëlli, 6IE-1881-101, Grue à vapeur. Compare: 1xxx, View of a Port (à Eugène Bejot), mixed, xx, BNF Paris (R2;iR40;R2,p355;R90II,p185) Compare: se1884-129 (aR14,p16).
Jean-François Raffaëlli, 6IE-1881-102, Barrière de Clichy. Compare: 1907, D82-2, Les fortifications, colour etch, 10×14, BNF Paris (iR40;R138XVI,no82;aR7,p101;R2,p355;R90II,p185) Compare se1884-135 (iR14,p16).
Jean-François Raffaëlli, 6IE-1881-104, Deux vaches et trois poules. Compare: 18xx, A cow and chickens in a meadow, 20×27, A2001/05/03 (iR13;R2,p355;R90II,p185)
Jean-François Raffaëlli, 6IE-1881-105, Le quai de Clichy, les ponts. Maybe??: 18xx, Fisherman on the banks of the Seine, 26×36, private (iR10;iR223;R3,p246;aR7;R2,p355). Compare: se1884-137 (aR14,p16).
Jean-François Raffaëlli, 6IE-1881-106, Vue sur la cour d’un charron, aquarelle. Compare: 1xxx, Parisian street scene, 43×52, A2010/10/26 (iR11;R2,p355). Compare: se1884-146 (aR14,p17).
Jean-François Raffaëlli: 1879ca, Artist painting (self-portrait), 52×53, Philadelphia MA (iR204;iR2;iR22;R2,p355;R90,p185;M28) =? se1884-93 (aR14,p14); compare: 6IE-1881-107, Portrait de l’Auteur.
Jean-François Raffaëlli, 6IE-1881-108, Dans la neige. Compare: 1909, D89, Les usines sous la neige (Rivière, au parc), colour etch ps, 16×20, A2010/10/27 (iR11;iR40;R138XVI,no.89;R2,p355;R90II,p185)
Jean-François Raffaëlli, 6IE-1881-109, Affûteur de scies. Now: 1907 (or: 1881ca), the knife sharpener (a landscape in the suburbs of Paris), on board, 54×84, MdGrenoble (iR204;iR22;R90II,p196;R2,p355;cpR138XVI,no76)
Jean-François Raffaëlli, 6IE-1881-111, Chiffonnier au bord des Carrières. Maybe?: 18xx, le chiffonnier, xx, xx (iR204;iR122;iR10;R2,p355;R90II,p186) Compare: se1884-138 (aR14,p16).
Jean-François Raffaëlli, 6IE-1881-112, La neige, au bord de l’eau, aquarelle. Compare: 1xxx, au bord de la Seine, environs de Paris, 65×92, A2005/11/17 (iR11;iR15;R2,p355;R90II,p186)
Jean-François Raffaëlli, 6IE-1881-113, Bourgeois lisant « les faits divers ». Maybe?: 18xx, le petit rentier Français, xx, xx (iR204;R2,p355;R90II,p186) Compare: se1884-57.
Jean-François Raffaëlli: 1909-1911ca, D90, La Gare du Champ-de-Mars (Chemin de fer), colour etch, 20×14, A2003/11/06 (iR11;iR40;R138XVI,no90) Compare: 6IE-1881-114, Chemin de fer sous la neige
Jean-François Raffaëlli, 6IE-1881-115, Locomotive en manoeuvre = 1880, The railroad, oil, 19×22, A1973/07/05(R90II,p196;iR14;R2,p355). Compare: se1884-125 (aR14,p16).
Jean-François Raffaëlli, 6IE-1881-116, Homme portant un sac, aquarelle. Compare: 18xx, The vagabond, on panel, 23×11, A2001/05/01 (iR13;R2,p355;R90II,p186)
Jean-François Raffaëlli, 6IE-1881-117, La neige à Clichy. Maybe??: 18xx, Street Scene, winter, 57×74, Rhode-Island SDM (iR6;R2,p355;R90II,p186)
Jean-François Raffaëlli, 6IE-1881-120, Dessin à la plume. Maybe???: 1876ca, An old woman, seated, in Breton dress (study for S1877-1755), dr, 19×12 (or48x31), A2006/01/24 (iR15;iR11;aR7,p54;R2,p355)
Jean-François Raffaëlli, 6IE-1881-121, Le tas de verres cassés, aquarelle. Probably: 1882ca, Le terrain vague, wc mix, 31×40, AI Chicago (iR74;aR7,p135;R2,p355;R90II,p186) Former collection of N.R… Compare: se1884-141 (aR14,p17).
Jean-François Raffaëlli, 6IE-1881-122, Bonhomme venant de peindre sa barrière =1881ca, Fellow having just painted his fence, oil dr, 65×50, A2014/05/09 (iR11;iR14;iR2;R90II,p197;R2,p338;R1,p434) =se1884-55.
Jean-François Raffaëlli, 6IE-1881-123, Chiffonnier tenant un panier. Maybe?: 18xx, Le chiffonnier (the ragpicker), 42×34, A2020/06/23 (iR6;iR15;iR14;iR11;iR2;R2,p355;R90II,p186)
Henri Rouart: 1870-80ca, Sbr, Harbour scene, 49×64, A2023/12/29 (iR82;R2,p356) =?? 6IE-1881-127, Entrée du port de Portrieux; =?? 6IE-1881-131, Port d’Antibes
Henri Rouart, 1885ca, Sbr, Landscape with Farm, Brittany, 66×92, private Gallery London (iR13). Compare: 1IE-1874-148, Ferme bretonne; 2IE-1876-229, Vieille ferme bretonne (étude); 3IE-1877-207, Ferme Bretonne; S1869-2069, Chaumière au milieu des arbres, en Bretagne; 6IE-1881-129, Chaumières bretonnes.
Henri Rouart, 1883(?), A view of a southern town with pine trees, 27×54, A2004/12/21 (aR16;aR18;iR14;iR6). Maybe?: 6IE-1881-130, Près d’Antibes.
Henri Rouart: 1891ca (1879-1901ca), S-, View on (the lighthouse of) Collioure, 58×72, private (iR64;aR21;R92,no36;R2,p356). Compare: 6IE-1881-127, Entrée du port de Portrieux + 131, Port d’Antibes.
Henri Rouart, 18xx, Escalier du château de Grimaldi à Cagnes (Staircase of the Grimaldi castle in Cagnes), wc, 25×27, Md’Orléans (iR64;aR20;R90II,p187+197;R2,p356). Probably: 6IE-1881-132, Escalier du château des Grimaldi à Cagnes.
Henri Rouart, 18??, Sbr, unknown (river, houses, mill~, field, trees), ?cm, xx (aR20). Compare: 6IE-1881-133, Paysage breton + 137, Village Breton.
Henri Rouart, 18xx, S-, Landscape in the Pyrenees (Pays Basque?), 42×60, private (R92,no38;R2,p356). Compare: 6IE-1881-135, Saint-Jean-de-Luz.
Henri Rouart: 18xx, Sbr, Village at the the edge of the forest (near Fontainebleau?), on wood, 40×50, private (R92,no31R2,p270+314) =?? 4IE-1879-211, Au Bas-Bréau. Compare: 8IE-1886-140, Lisière de bois. Compare: 6IE-1881-137, Village Breton.
Charles Tillot, 18xx, The beach of Villers-sur-Mer (Calvados), on panel, 24×33, A2022/03/07 (iR11;iR18;R2) =? 2IE-1876-250 / 5IE-1880-195 / 6IE-1881-146, (Rochers et) plage à Villers
Eugène Vidal: 18xx, Élégant assise, 65×32, A1999/06/16 (iR14;iR13;R2,p356;R90I,p334) =?? 6IE-1881-150+hc, La petite femme voilée.
Victor Vignon, 6IE-1881-151, Paysage. Maybe??: 1878ca, Sbl, The haystack, 56×66, Leighton Gallery (iR317;iR310;iR64;R2,p356;iR1;R90I,p328) =? HD1903/03/23-7, Sbl, Les meules, 50×65,former Madame L*** collection (aR10=iR40;R241)
Victor Vignon, 6IE-1881-152, Paysage. Maybe??: 1880-90, The haystacks, 38×55, private (R272,no26;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-153, Chemin des Bourbiers, neige fondue. Maybe??: 18xx, La route vers le village dans la neige, 33×46, A2007/12/14 (iR13;iR11;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-154, Chemin à la Celle Saint-Cloud. Maybe??: 1880-85ca, Sbl, L’orée du village, 33×41, A2021/03/30 (iR17;R2,p356;iR1;R90I,p328) =?? HD1905/04/10-46, Sl, Entrée de village, 33×41, former M. Louis Flornoy collection (iR40;R240)
Victor Vignon, 6IE-1881-155, La Seine à Port-Marly. Maybe?: 18xx, Sur la fleuve (on the river), 18×25, A2009/10/28 (iR13;iR11;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-156, Saulaie à Bougival. Option: 18xx, Pollarded willows in a summer landscape, on panel, 27×40, A2016/06/24 (iR13;iR11;iR2;R2,p356;iR1;R90I,p328). Maybe: BJ1894-48, 1877, Saulaie à Bougival (aR9=iR19).
Victor Vignon, 6IE-1881-157, Arbres fruitiers à la Ferté-Milon, Aisne. Maybe?: 18xx, Paysage de campagne (vallonnée), 33×46, A2014/06/28 (aR1;iR13;iR64;iR255;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-158, Noroy-sur-Ourcq. Maybe: 18xx, Le chemin de Chauny à Noroy-sur-Ourcq, 16×27, A2003/12/16 (iR13;R2,p356;iR1;R90I,p328) =HD1914/06/12-75, Le vieux chemin de Chouy à Noroy-sur-Ourcq (Aisne), 15×27, Sbr, former Roger Marx collection (R272,p30). Maybe: BJ1894-68, 1872, Une Rue à Noroy (aR9=iR19).
Victor Vignon, 6IE-1881-159, Montbuisson, Seine-et-Oise. Maybe??: 18xx, Rue du village animée, 25×36, A2005/06/15 (iR13;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-160, Noroy-sur-Ourcq. Maybe??: 18xx, L’entrée du village, 27×35, A2014/02/16 (iR13;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-161, Chemin creux à Saint-Waast. Maybe?: 1880-85, Road with thatched cottages, 33×41, MF Aix-les-Bains (R272,no18;iR94;R2,p356;iR1;R90I,p328;M13)
Victor Vignon, 6IE-1881-162, Arbres fruitiers à la Jonchère. Maybe?: 18xx, Apple Tree in Bloom (arbre dans un champs), 32×41, A2014/12/15 (iR2;iR11;iR13;R2,p356;iR1;R90I,p328). Maybe?: BJ1921-7, Pommier au milieu d’un champ (R272,p31).
Victor Vignon, 6IE-1881-163, Chemin vert à Bougival. Maybe??: 18xx, Mother and Child taking a Walk (Mère et enfant se promenant), 32×41, A2006/05/04 (iR2;iR14;iR13;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-164, Troesnes. Maybe??: 1880-85, The village, 54×64, private (R272,no15;R2,p356;iR1;R90I,p328)
Victor Vignon, 6IE-1881-165, La Jonchère. Maybe??: 1880s, Springtime, 60×79, Baltimore MA (iR2;iR64;R2,p356;iR1;R90I,p328;M24)
Federico Zandomeneghi, 6IE-1881-166, La place d’Anvers = 1880, CG77, SDbr, Place d’Anvers, Paris, 100×135, Piacenza GAM (iR2;iR6;iR59;R2,p369;R3,p542;R89,no85;R203,no44;R204,no77;M106)
Federico Zandomeneghi, 6IE-1881-167, Etude = 1880-85ca, CG89, Sbr, L’Appuntamento (Au bois de Boulogne), 55×46, private (R90II,p197+187;R204,no89)
Federico Zandomeneghi, 6IE-1881-168, Portrait, dessin = ?? 1880, CG76, SDbr, Portrait of his mother, dr+p, 55×46, private (iR167;R204,no76;R2,p356)
Federico Zandomeneghi: 6IE-1881-169, Panneau pour une salle à manger; appartient à M. G. Compare:
Federico Zandomeneghi, 6IE-1881-170, Portrait de M.L. = ?? 1879-82ca, CG85, Str, Il violoncellista (the cellist), 82×72, private (aR8;iR6;iR10;iR64;R204,no85;R2,p356)
Clarification: On this page you find 161 suggestions for the about 186 art-works that were exhibited at the 6th ‘impressionist’ exposition in 1881.
Note: the given suggestions vary from certain (=!), to almost certain (=?!), to uncertain (=?), to very uncertain (=??), to most uncertain (=???), to compare (=compare:) with another work of the artist, to compare with a similar work from another artist or even a photo. Sometimes (25x) I have no suggestion at all, namely catalogue no.10 (Cassatt), no.32 (Gauguin), no.48+53 (Guillaumin), nos. 110 + 124 (Raffaëlli), nos.125 + 126 +128 +134 + 136 +138 +139 (Rouart), nos. 140 + 141 + 142 + 143 + 144 + 145 + 147 + 148 + 149-1 +149-2 +149-3 +149-4 (Tillot). Helas, of several options I could only find a picture in black and white, namely no.17 of Degas; no.23 of Forain; nos. 57 + 59 +60 +62 +hc of Morisot; nos. 77 + 79 +84 +85 of Pissarro; no.95+115 of Raffaëlli; no.167 of Zandomeneghi. The following pictures I render to compare are quite weak: nos. 101 +114 of Raffaëlli; no.131 of Rouart; no.169 (Zandomeneghi). See the accounts of the partakers. See link for an explanation of the subscriptions.
